{"id":33781,"date":"2019-07-29T17:43:33","date_gmt":"2019-07-29T14:43:33","guid":{"rendered":"https:\/\/www.plmf.ee\/event\/gitta-maria-sjoberg-sopran-taani-tobias-van-der-pals-tsello-rootsi-taani-polina-fradkina-klaver-venemaa\/"},"modified":"2019-08-06T11:00:40","modified_gmt":"2019-08-06T08:00:40","slug":"gitta-maria-sjoberg-sopran-taani-tobias-van-der-pals-tsello-rootsi-taani-polina-fradkina-klaver-venemaa","status":"publish","type":"tribe_events","link":"https:\/\/www.plmf.ee\/en\/event\/gitta-maria-sjoberg-sopran-taani-tobias-van-der-pals-tsello-rootsi-taani-polina-fradkina-klaver-venemaa\/","title":{"rendered":"Gitta-Maria Sj\u00f6berg\u00a0(soprano, Denmark),Tobias van der Pals\u00a0(cello, Sweden\/Denmark), Polina Fradkina\u00a0(piano, Russia)\u00a0"},"content":{"rendered":"
<\/div><\/div>\n

BUY TICKET<\/span><\/a><\/h3>\n

XV TALLINN CHAMBER MUSIC FESTIVAL 21st – 30th of August 2019<\/b><\/span><\/p>\n

27th of August at 7 PM
\n<\/span>Hopner House
\n<\/span><\/span>A HISTORICAL MUSICAL HERITAGE
\n<\/span><\/span><\/span><\/span>Gitta-Maria Sj\u00f6berg<\/b>\u00a0(soprano, Denmark),
\n<\/span>Tobias van der Pals<\/b>\u00a0(cello, Sweden\/Denmark),
\n<\/span>Polina Fradkina<\/b>\u00a0(piano, Russia)
\n<\/span>Tickets 7\u20ac \/ 12\u20ac<\/span><\/span><\/p>\n


\nKAVA \/ PROGRAMME<\/span><\/p>\n

Matti Borg\u00a0<\/b><\/span>(*1956)
\n– 3 laulu ts\u00fcklist \u201d8 Morgensange\u201d (s\u00f5nad \/ lyrics B. J. Hansen), (2017)\u00a0 \/ 3 songs from \u201d8 Morgensange\u201d
\n1. Sa annad mulle oma v\u00e4ikese s\u00f5rme \/ Du r\u00e6kker mig en lillefinger \/ You\u2019re giving me your little finger
\n5. J\u00e4lle olen r\u00f5\u00f5mus \/ Igen er jeg munter \/ Again I\u2019m happy
\n6. Sa oled varajane hommik merel \/ Din tidlige morgen ved havet \/ Your early morning at the sea\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/span><\/p>\n

Leopold van der Pals<\/b>\u00a0(1884-1966)
\n– Eleegia \/ Elegy Op. 27
\n– Aeglane valss \/ Slow Waltz Op. 80 No. 4
\n– Varakevad \/ Early Spring Op. 15 No. 1
\n– \u00d6ine laulmine \/ Night Singing (Goethe) Op. 57<\/span><\/p>\n

Kim Borg<\/b><\/span>\u00a0(1919-2000)
\n–\u00a0<\/span>3 romanssi J. L. Runebergi luuletustele<\/span>\u00a0\/ 3 Romances to poems by J. L. Runeberg Op. 35 (1988)
\n1.\u00a0<\/span>Ainus hetk<\/span>\u00a0\/ Den enda stunden \/ The only moment
\n2.\u00a0<\/span>Liblikapost<\/span>\u00a0\/ Fj\u00e4rilposten \/ The Butterflypost
\n3.\u00a0<\/span>T\u00fcdruk viiuldab suvisel p\u00f6\u00f6rip\u00e4eval<\/span>\u00a0\/ Flickan knyter i Johannenatten \/ The girl is fiddling at midsummer night<\/span><\/span><\/p>\n

Israel Finkelshtein <\/b><\/span>(1910-1987)
\n–\u00a0<\/span>Aaria t\u0161ellole ja klaverile<\/span>\u00a0\/ Aria for Cello and Piano
\n–\u00a0<\/span>2 vene laulu<\/span>\u00a0\/ 2 russiske sange \/ 2 Russian songs: \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/span><\/p>\n

1.\u00a0<\/span>Kirsipuude langevad \u00f5ied (s\u00f5nad S. Yesenin)<\/span>\u00a0\/ The Cherrytrees snowing flowers (lyrics S. Yesenin)
\n2.\u00a0<\/span>Hetk (s\u00f5nad Vadim Schefner<\/span>)<\/span>\u00a0\/\u00a0<\/span>The Moment (lyrics Vadim Schefner)<\/span><\/span><\/p>\n

Leopold van der Pals<\/b><\/span>
\n– \u00d6\u00f6 h\u00e4\u00e4led \/ Voices of the Night, Op. 15 No. 4<\/span><\/span><\/p>\n

– 2 laulu \/ 2 Songs from Op. 114 (R. M. Rilke)
\n1. Veneetsia IV \/ Venedig IV \/ Venice IV
\n2. Veneetsia III\u00a0\u00a0 \/ Venedig III \/ Venice III<\/span><\/p>\n

<\/div>\n
\n

A MUSICAL HERITAGE
\nCelebrating the centenary of world-famous opera singer and composer Kim Borg, the artists perform works by their relatives: Kim Borg (1919-2000), Matti Borg (1956), Leopold van der Pals (1884-1966), and Israel Finkelshtein (1910-1987).<\/span><\/p>\n<\/div>\n

<\/div>\n
<\/div>\n
GITTA-MARIA SJ\u00d6BERG<\/strong><\/span>
\nhas an incredible soprano voice, which has made her a highly cherished and wanted guest singer all over the world. Her versatility is extraordinary. She masters both lyric and highly dramatic parts giving her characters sublime inner life and complexity. Her range covers a broad repertoire of roles such as Tosca, Madame Butterfly, Mimi, Desdemona, Amelia, Leonora, Arabella, Sieglinde, Brangaene, Rusalka, Katerina Ismailova, Kostelnicka and Emilia Marty. For the latter, she was named singer of the year by leading German critics. Recently she was invited to open the Jan\u00e1cek Festival in Brno in the role of Emilia Marty in \u201cVec Makropulos\u201d, and the reviews were overflowing with success. The performance was recorded and was aired in The European Radio, on Czechish TV and the show was awarded first prize for the best production of an opera in Czech Republic. In 2017 and 2018 she sang the role of \u201cThe Mother\u201d in the premiere of Louise Alenius\u2019 successful opera \u201cSilent Zone\u201d at the Copenhagen Opera Festival. G.-M. Sj\u00f6berg received her education from the Opera Academy in Copenhagen where she was trained and coached by the great Finnish bass singer and professor Kim Borg. Nowadays she is often also asked to sit in jury\u2019s for young singers competitions and big foundations. For 10 years already she shares her experiences and teaches many masterclasses every year around the world, invited to teach at festivals, Music Academy\u2019s and Opera-Academy\u2019s Studios for young promising talents who benefit from her coaching and large experience. Among her many masterclasses in 2019 she coached the Singers in the Nordic Masterclass for conductors and singers with the South Jutland Symphony Orchestra and Jorma Panula. The large interest she has for lieder and songs inspired her to establish a new festival in Sweden called \u201cNordic Song Festival\u201d, which had its successful opening in the summer of 2014. The festival consists of a mix of masterclasses, concerts and artistic research. Nordic Song Festival is growing with great success and she bids you \u201cWelcome to Nordic Song Festival in Trollh\u00e4ttan, Sweden in August 9 \u2013 17 2019!\u201d Among her many records and publications, you\u2019ll find \u201cVerdi & Puccini Arias\u201d, \u201c15 Songs by Gustaf Fr\u00f6ding\u201d and \u201cNordic Winter Christmas Songs\u201d. Her portrayal of the demonic and yet tragic role of Kostelnicka at Malm\u00f6 Opera\u2019s rendition of Jenufa in 2011 was praised by Opera News as one of the best ever made and is available on DVD from ArtHaus Musik. In the spring of 2019 a new recording of Russian and Danish Songs with the Russian pianist Polina Fradkina was released. Since March 2013 G.-M. Sj\u00f6berg is the Chairman of the Birgit Nilsson Society. She has received many awards, a. o. the Birgit Nilsson Award and has been Knighted by Queen Margrethe II of Denmark giving her the title of Knight of Dannebrog first grade.<\/span><\/div>\n
<\/div>\n
<\/div>\n
TOBIAS VAN DER PALS<\/strong><\/span>
\nhas studied at the Royal Danish Academy of Music, Pite\u00e5 and the Royal Academy of Music, London. At the final exam in London, he was awarded the highest grade, “distinction” and “DipRAM” – the Royal Academy of Music’s highest award for solo performance. In 2008, he won the Royal Danish Academy of Music’s cello competition and in 2009 T. van der Pals performed his debut concert, for which he exclusively received enthusiastic reviews. The concert was broadcasted by Danmarks Radio P2. T. van der Pals has participated in a large number of master classes and has performed at a large number of international festivals. He has received numerous honors, artist scholarships and grants. As a soloist, T. van der Pals has performed with orchestras, choirs, solo works and with chamber ensembles in a large part of the world. He has recorded for Danmarks Radio and BBC and participated in a large number of other CD recordings. Tobias has worked in the KGL Chapel, Malm\u00f6, and Helsingborg Symphony Orchestra. He is also an active chamber musician and since 2000 he has worked as a freelance musician in professional orchestras in Copenhagen and southern Sweden. At this time, T. van der Pals teaches cello at the Royal Danish Academy of Music.<\/span><\/div>\n
<\/div>\n
<\/div>\n
POLINA FRADKINA<\/strong><\/span>
\nperforms as a piano soloist in Russia and abroad – Denmark, Sweden, Germany, France, Estonia, Lithuania, Israel, Finland and Italy. A major part of her repertoire is academic classical music, often in paradoxical mix with other modern styles. She collaborates with many modern composers, who write music for her personally. P. Fradkina has participated in international musical festivals. She has performed at concerts of Association for Contemporary Music and was nominated for the \u201dSt. Petersburg AvantGarde 2010\u201d award. Her records and concerts are broadcasted on radio and TV stations. She had the honour to perform for the Queen of Denmark while her Majesty visited St. Petersburg. P. Fradkina started her musical education at the age of five, when she entered Musical Lyceum of St. Petersburg Conservatoire in the piano class, after that graduated from St. Petersburg State Conservatoire and Postgraduated Doctorial Course and Music Academy of Tel-Aviv University. She was a stipendiary of Israeli-American Cultural Found. P. Fradkina taught piano master classes in Denmark and St. Petersburg Academy of Culture.<\/span>
\n\u201d\u2026 Listening to Polina Fradkina play, you feel deep satisfaction \u2013 that\u2019s how we are talking among each other, if our emotions can be translated into the words of music. Polina is a truly St. Petersburg musician, her creative work combines such St. Petersburg traditions as classicism, elegant epatage, revolutionary character, sense of philosophical truth\u201d.<\/em><\/span>
\nRosbalt News Agency<\/span>
\n\u201d\u2026 Bright and talented pianist, possesses multicoloured musical palette, strong intellectual with a high quality of intelligence\u201d.<\/em><\/span>
\nSaint-Petersburg Classic Magazine<\/span><\/div>\n
<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

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